While working on my latest e-booklet on watercolour techniques for botanical art, I was looking for images by artists whose work offers information on the process they use, while at the same time speaking to an identifiable style. In other words, I wanted works that...
I’ve been offline for almost all of December while visiting the Western Cape region of South Africa; a special place that was once my home. One purpose of our trip was to attend an important family celebration. But it was also an opportunity to enjoy a much-needed...
This past week botanical artists received a warning about how seedy the seedy side of social media can be, especially since the advent of Artificial Intelligence (AI). I was visiting the Botanical Art for Coloured Pencil group on Facebook, when a new post caught my...
I’m quite frequently asked if it’s okay to print a copy of my e-booklets, and my answer is always the same: “Of course it is!” Just because the booklets are delivered digitally as convenient, easy-to-navigate, interactive e-booklets doesn’t mean that you can’t print...
Suggestions of bias are common in significant juried botanical art exhibitions. I hear them all the time. While sometimes it might just be sour grapes, other times the allegations of bias are hard to dismiss, particularly when the exhibition organizers seemingly make...
For nine consecutive years before moving to Nova Scotia, I taught workshops in one of the world’s recognized wildflower sanctuaries, the Waterton Lakes region in Southern Alberta. In late Spring and early summer, the grassland areas are home to over 400 plant species....
