A bold and blatant brush-stroke-for-brush-stroke rip-off

A bold and blatant brush-stroke-for-brush-stroke rip-off

Two recent Instagram posts tell the story of a bold and blatant brush-stroke-for-brush-stroke rip-off of an award-winning chestnut painting by renowned botanical artist, Dianne Emery. With Dianne’s permission I’m showing her chestnut painting above but...
A landmark catalogue from a landmark exhibition

A landmark catalogue from a landmark exhibition

If you draw inspiration from paging through beautifully-illustrated botanical art books with seemingly endless examples of outstanding contemporary and award-winning botanical works, then I have something you should know about. It’s the Society of Botanical Artists...
Green: source versus screen

Green: source versus screen

Three years ago, I posted an article about the use of digital versus natural greens in botanical art. Unfortunately, it’s an ongoing issue. Artists who have sourced all their information about a subject from a screen (hand-held devices or computer monitors) are most...
Botanical art in a war zone; it’s a battle

Botanical art in a war zone; it’s a battle

By Michael Best Creating botanical art in a war zone is a battle. And Ukrainian botanical artist, Alona Hrinchuk, is living that battle. She’s creating botanical art in circumstances unimaginable to those of us whose daily lives do not include air raid sirens,...
Watercolour: simplicity and style in small spaces

Watercolour: simplicity and style in small spaces

While working on my latest e-booklet on watercolour techniques for botanical art, I was looking for images by artists whose work offers information on the process they use, while at the same time speaking to an identifiable style. In other words, I wanted works that...