Karen Hooper explores composition concepts with Schöner aus Herrnhut

Karen Hooper explores composition concepts with Schöner aus Herrnhut

Schöner aus Herrnhut recently helped Karen Hooper explore composition in botanical art. Schöner aus Herrnhut is a German heirloom apple dating back to 1880. Apparently, someone found a single seedling in the Saxony town of Herrnhut. So explains former ER doctor and...
Infusing truth into a botanical drawing

Infusing truth into a botanical drawing

Drawing from a live specimen infuses truth into a botanical piece. To know me is to know that this is not news. I have always strongly believed in drawing from a live specimen. You will find me emphasizing this throughout my workshops and e-booklets. It will also be...
Climate change — can the boreal forest save us?

Climate change — can the boreal forest save us?

Irish-Canadian author and botanist, Diana Beresford-Kroeger, makes a compelling case that the boreal forest can help save us from the human impact on climate change. She certainly convinced me it’s possible in her riveting book, To Speak for the Trees. And, as she...
The personal aspect of colour interpretation

The personal aspect of colour interpretation

Iris. ©Jean Emmons     I was planning to offer more commentary about botanical art colours in my next post, though I was still pondering the topic. But that was before Jean Emmons’s presentation at the ASBA’s 27th Annual Meeting and Conference, Online in October. It...
Why the source of the plant’s colour matters

Why the source of the plant’s colour matters

Different colour interpretations. The source of the plant’s colour matters. There are many reasons why contemporary botanical artists like me do not paint from digital images or photographs. We paint from live specimens. We respect the traditions and the history...